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Films, Movies and TV.

The problem with being good at what you do is that people seek you out for that reason.

We been making Set Decoration and Props for Feature Films since 1998 and TV some time before that.

Following on from my Blog post ‘Man from U.N.C.L.E.’ in 2014, Burrows Lea Forge has a reputation for doing tricky work to a high standard but in timescales far quicker than most can dream of. Obviously this niche market costs a little more and relies a lot on what the client provides… namely quality information, style and mood interpretations, drawings, schedules and prompt payment. In return we advise, plan and produce what they need, when they need it, sometimes even the same day!

This is why we do so much work for the Movies; however this brings it own unforeseen problems. The majority of producers like Disney, Spielberg, Lucas are very protective over their product and production… rightly so, there’s a mind boggling investment in these Features. Resulting in Confidentially Agreements and Manufacture surrender rights documentation, meaning that as a supply company we can’t publicly show (let alone reproduce) what we’ve made for them, particularly when it comes to Social Media…. So nearly all the movie work we’ve done over the last 15+ years you’ll never see here or on our feeds, which is a bit frustrating from our point of view.

A minority of Movies production companies take a different approach and embrace the media storm, hoping it will whip up some free publicity one such film being released this week is ‘The Man from U.N.C.L.E’ a Guy Ritchie (Lock, Stock and Sherlock Holmes) directed movie for Warner Bros. A Re-imagined 1960’s Cult classic, where CIA agent Napoleon Solo (Henry Cavill) and KGB operative Illya Kuryakin (Armie Hammer) participate in a joint mission against a mysterious criminal organization T.H.R.U.S.H.

So I can show a pictures of what we made (without being taken to court), but out of loyalty to our employers I’m not saying what they are or what scene they are used in. All I’ll say is its great from a crafts persons perspective, that Blockbusting Production Companies still see the worth of employing us old fashioned types alongside the cutting edge technology of CGI and Motion Capture. Long may it continue………… and keep me employed by going to see the film this month!

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The Man from U.N.C.L.E. ironwork for the film.

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Petworthgates.co.uk +1 year!

Blacksmith, Hand forged, Design, Ironwork, Forge, Wrought Ironwork, Hot Forged, Blacksmithing, Tijou, Petworth, Petworth House, Jean Tijou, Petworth Gates, Brawn and Downing

The fully restored ‘Tijou Gates’ at Petworth House, West Sussex. Photo by Julian Smith

Back to Petworth House to check over the gates we finished restoring this time last year. Looking good! Never ceases to amaze me how difficult it can be to photograph large ironwork installations….. Hence a picture from last winter. I have to thank the very talented Julian Smith for capturing the gates in thier true glory. #blacksmith

For more information about the project www.petworthgates.co.uk

Or check out previous posts about Restoration of ‘Tijou’ Gates at Petworth House. and ‘Tijou’ gates.

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‘Tijou Gates’ at Petworth House, West Sussex. Photo by Julian Smith

 

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Masterpiece

Blacksmith, Hand forged, Design, Ironwork, Forge, Wrought Ironwork, Hot Forged, Blacksmithing

Burrows Lea Forge Sign in the firelight.

This is my Company signature piece I reckon. Its pretty good generally, as its sums up what I do in a glance.
The back story is rather different…. I made this sign when I was leaving my apprenticeship in1995 (I was 26 years old at the time) and was to be my ‘masterpiece’.

I had been using a drawing for my company logo and thought it a good idea to realise it into a physical example of what I could do as a qualified Blacksmith. As usual I left it to the last minute to make it, so much so, my Master Smith threatened to refuse me my qualification if I was late in submitting it.

That manic week in 1995 making it has stayed with me all these years and every time i look at this piece I’m reminded of working like a demon to complete it on time….. I guess that’s also sums up what I do! #blacksmith #blacksmithing #repousse #masterpiece

 

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‘Robin Hood’ film 2009

Blacksmith, Hand forged, Design, Ironwork, Forge, Wrought Ironwork, Hot Forged, Blacksmithing, Robin Hood, Ridley Scott, Film props, Set Decoration

Robin Hood 2009 montage

What were you doing 5 years ago this week?

Well, we were making a last minute batch of Cauldrons for the Ridley Scott Film ‘Robin Hood’, starring Russell Crowe, Cate Blanchett, Mark Strong and others. The production company had been let down by a ‘Blacksmith’ manufacturer at the last minute, we were already busy with their earlier orders. Desperate, the purchaser approached us, working on the basis ‘if you want something done ask a busy man…..” So we made 13 of these fiendish Cauldrons comprising of nine individual steel metal pieces, which then had to be riveted together. Anyone with any experience of this process will realise this is not straightforward….. Oh, and did I mention we had only five days to do it!

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Cauldrons made in 2009 for Ridley Scott’s film ‘Robin Hood’

 

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Wrought Iron Gate

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Wrought Iron Gate

Tis’ the season to make gates.

Coming into the gate season once again, the enquiries are coming in thick and fast. Regretfully I had to turn away quite a few in 2013 as we we’re fully occupied  and at capacity with an enormous pair at called the ‘Tijou’ gates at Petworth House. This year we are fully open for designing and making some, big and small. I love making gates!

Gates are pretty useful, they do the obvious! But have you thought a bit more about it? They can be used as focal point to draw your attention to or away from an area, they can extend a view or foreshorten, block and frame. They add texture and colour perhaps. They can definitely make a statement; but be careful with that one, because if you buy one from us the gate will last a very long time. Ultimately if you buy a designed, hand made one they add value and quality!

Its so important to have it designed for you, don’t just buy it because you like the one you see on a website from a bloke 100 miles away, it is unlikely to turn up as it looks on the webpage and it doubtful you’ll get much recourse when things don’t go you way. Make the blacksmith earn his money, because unfortunately they aren’t cheap. Compared to the tinpot ones at the garden centre they are very expensive, but so is a Christmas Turkey compared with a can of chopped tomatoes. Like the analogy, its a treat for a special occasion. You could afford to buy tomatoes most weeks, but they are just……. I’m going away from my point here, I hope you get my drift?

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Wrought Iron gate detail, showing construction and alternative finish

Get your chosen Blacksmith to come out, measure up and talk to you, discussing the possibilities and your options. Remember gates don’t have to have scrolls and spearheads (god help me), some of the nicest and timeless designs are just rails and stiles. Detail is everything, textured bars, mortise and tenon joints, punched bars so that one passes through the next, half lap joints, rivets and sets, curves and corners, perhaps variants on twists (not that old barley twist you have on your fire poker), forged balls, changes of section and good old fire welded detail, mixed media looks good too, try adding in wood, glass or whatever. If your Blacksmith doesn’t mention any of these simple things, please don’t use him. Definitely don’t use him if he doesn’t show you some of his own designs, you know the ones, they are called ‘drawings’…… if he can’t draw, getting across his plans and intentions, its unlikely you’ll end up with what you want or deserve.

The design(s) that arrives with your quotation (why should he/she give an estimate, its a gate?) should reflect your meeting and discussion, taking account of the site situation, house design and all the personal factors that a bespoke service delivers. If you don’t like what you see or the price, just say, most designers and artists have a back up plan for such eventualities, well, I do! And if you do like it but want it tweaked, don’t be afraid to to mention it either.

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Finishing touches to installation of wrought iron gate.

Did you talk about finishing and installation? Well your Blacksmith should have mentioned it, finishing is so important. Your gate is likely to be made form forged Mild Steel, it rusts I’m afraid, and once it starts you are unlikely to stop it. So included in the quote should be a zinc application of some sort Galvanizing is the toughest or Hot zinc spraying gives the best finish, both will protect your investment, don’t confuse zinc powder spray with hot zinc spaying, its not the same.

Then after that it needs painting professionally with a quality paint system. You shouldn’t need to worry about that because the Blacksmith will have included that? Well, I do. There are options of finish, once its protected against rust you can do what you like within reason, graphite loaded paints, phosphated zinc, you name it.

Installation, if the Blacksmith doesn’t include that you should be suspicious; they have gone to all that trouble to design it, make it, finish it…. they not going to let it out of their sight until its up and safe… are they? If they don’t care how its installed they probably didn’t care in the first place. Nuff said!Having the gate installed (and working) by the Blacksmith who made it should be the indicator that the job is done and it time to pay the balance of the bill (you would have paid a deposit to start). That’s it? Well ask about aftercare, quality gates don’t need painting to often, once every 6 or 7 years maybe, they can be washed off in between, maintaining the finish by cleaning off algea etc. don’t use caustic soaps though, Washing up liquid is the worst, car shampoo is OK, or just water!

Any problems, get them back to fix it. Remember you have paid a good price and deserve proper service, a reputable Blacksmith will want you quiet as soon as possible, commending him/her for their speedy attention to the problem.

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Contemporary entrance gates

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The Man from U.N.C.L.E

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The Man from U.N.C.L.E. ironwork for the film.

Remember ‘The Man from U.N.C.L.E.’ films? I loved them! Well there’s a remake directed by Guy Ritchie coming very soon and we’ve made some bits for it!

All the bits you see in the photo are made out re-forged ‘scrap’ billets, the texture, colour and extra working gives the perfect character for primitive cell door ironmongery….. which its for! We knew this was what the designers wanted…. because the drawing showed us.

We made them for our usual designers; Julie makes our life really easy with her beautiful drawings, hand drawn and full size as they should be! The reason it makes it easy is because drawing by hand conveys texture, weight and character that CAD can’t…. long may they continue to do so.

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‘Tijou’ gates

'Tijou' gates circa 1900

‘Tijou’ gates circa 1900

Our latest commission is drawing to an end.

Burrows Lea Forge Ltd has been working on the conservation and restoration of the ‘Tijou’ gates at Petworth House since December 2012. The picture above shows the gates as they were in 1900. Since mid 20th century the gates fell in to a state of disrepair. Despite efforts by the National Trust to conserve elements in the mid 90’s it was only a temporary fix. In 2012 funding was finally secured for their restoration.

This job is a massive undertaking by Burrows Lea Forge Ltd and the largest in the company’s 22 years of trading. At the end of August 2013 the work will be complete and the gates are renovated to their former glory and very impressive they are too. All the work has been carried out by qualified, time served Blacksmiths using traditional skills, materials and techniques. Sound conservation practice has been employed throughout.

Not a job for the faint hearted; at the last count we have made over 570 new leaf based components and made over 1000 repairs and new fixings. There will be more of a write up on this Blog in September, but in the meantime have a look at Petworthgates.co.uk for more information and pictures

SONY DSC

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Not a gate?

Original Arts & Crafts, conserved and displayed.

When is a gate not a gate?

When its a piece of Art?

These lovely gates date from the late 19th Century (that’s Victorian if your British). We conserved these gates for a private client. Luckily for the gates the client is an Art professional, who realized their value culturally and financially. They we’re rescued from a salvage/reclamation yard a few years ago purchased with no provenance. The client wanted to use them as a feature somewhere in the house or gardens of her beautiful Edwin Luytens/Gertrude Jeykell designed Arts & Crafts House.

In consultation with Burrows Lea Forge Ltd. she was only to aware that the first rule of conservation had been broken; moving a piece from its original location. Nothing could be done about that now, but there was an opportunity to embrace another Conservation rule, namely if a piece is in danger in its location, it should be moved to a more suitable (preferably permanent) site.

Detail of Arts & Crafts gate.

These gates are very special, they are in an Arts & Crafts style, expertly balanced  and we suspect they were originally commissioned for a civic building, church or public office. There is an enormous level of detail, demanding top level forging skills. Interestingly and in the spirit of Arts & Crafts, the Artisan was only too aware of his excellent work and deliberately allowed ‘schoolboy’ errors in the setting the piece. As a craftsman I can easily identify what’s going on, the technical execution is so expert, it makes a joke of the deliberate errors, I suspect the Blacksmith responsible, might have hoped a Peer will see through his fakery, as I would in his situation. Well, I have!

Its amazing the time-shift a skill or craft can breach; you can get inside the head and empathize with someone long gone. Conservation and restoration does this, as you look closely, respecting the work of others, you can truely see inside their minds and feel what they must felt as they ‘turned’ a scroll or ‘pinched’ a collar or made a small mistake! Its a marvelous thing.
Back to the job! The client thought about the best use of the gates for quite a while and eventually with our guidance decided for us to install them in the covered arch way to the old coach-house of her property. The bare wall of the inner arch was crying out for some sort of ‘interest’. So we installed the gates on the wall. We were conscious to install them high enough to be aesthetically acceptable and safe from the prevailing weather. We used the original hinge mounts fixing them with stainless steel fixings into the Bargate stone wall. Mindful all the time of reversibility of of our actions.
So the gate went up, they looked great and as you can see there is  as much on show today, no less than there was 100 years ago, with any luck, 100 years from the view will be the same.

THAT”S CONSERVATION! sorry  I meant ART.

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Gallery!

Forged and painted flower, Middle Street, Shere.

In these pages I hope to show you what we’ve been up to over the last twenty or so years.

The pictures in Gallery pages are mostly my own designs and if they are not, the designer is accredited. Where the designs are solely Burrows Lea Forge’s they will carry an Artist copyright and cannot be copied or used without my permission. The work itself is entirely ours, I don’t show pictures of other peoples work! With that said I hope you like what you see and don’t forget to give me a click or call if you want more information.

We’ve done a lot of work for a small company and worked very hard to keep solvent and good humored. I’ve worked with many Smiths, Designers and Architects since 1992 and where possible (and justified) I’ve accredited those involved. Somewhere in the Web process I might have missed someone or another, it won’t be deliberate, so don’t sue me or anything. If you are missing and feel you deserve some credit please don’t hesitate to drop me a line or call and bend my ear.

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Bacchus Gate

In July 2008 the Bacchus gate came to life in a sketch, doodled in crayon (because that’s all I had), in front of the customer on a spiral pad (because that’s all I had).  Ever the professional, I had left my site bag in my other van. I was warned by a very well know Blacksmith friend of mine never to do this as it can look amateur and may commit you to something you might regret. I’m sure he’s right!

But I would disagree on one account, I often find sketching quite liberating and often catches the moment far better than memory ever can. Even a few lines can remind you later of what was happening at the time. I have to work very hard when it comes to sketching, I can technically draw very well and I can do formal drawing without to much trouble, but to do ‘off the cuff’ doodles I have to be careful. But this time it was like a dream, it flowed and as the client described what he was trying to achieve for his home.

Bacchus gate detail.

We discussed Bacchus, the god of indulgence, the Horn of Plenty, grapes, fruit and what too many good times can do to you. So a Horn of Plenty Gate adorned with vines, fruit and a bit wobbly was the result…… perfect as the gate was to be sited at the head of a narrow stair to a wine tasting cellar, against a rustic brick wall and to be seen from a French Provence inspired kitchen.
So I scaled the design up from the folded paper to full size and handed it over to the workshop. They did a brilliant job. It was one of those jobs that everyone enjoyed, the money was right, the design was perfect and there was plenty of scope for free form interpretation. The gate and a small panel were finished in a Slate grey finish that my Friend Andy Quirk showed me how to make up and apply.

I wish that so many other jobs went this way…… the client was also delighted!

Bacchus Gate and Panel