Sir Edwin Lutyens

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Sir Edwin Lutyens classic D handle forged ironwork reproduction

Well, Sir Edwin Lutyens has made it onto Time Team!

I have to write something about that, from a Blacksmiths point of view of course….. we make and re-work many of his designs and participate in restoring and developing many of his buildings, its almost a specialty, we must have made more than any Designer Blacksmith , one order was over 500kg I seem to remember.

Lutyens used ironwork quite a bit on, or rather in his buildings, but not in the way you may think. It was always ironmongery and ordinary utility objects. Not grand Gates, Railings, Iron staircases, Lanterns, Signs etc. just all the little things that make life work, such as latches, hinges something to keep the door open. Like his buildings they got the job done…. looking familiar and homely.

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Lutyens cupboard handles

Large Ironwork projects weren’t his thing, I can only recall two sets of Iron gates, one in India and his Remembrance Gates, the latter is good, but a Baroque pastiche, not what you’d expect from an Arts & Crafts designer. There were some lanterns I think on Hampton Court bridge, Baroque again, but with all that Jean Tijou stuff next door I guess he felt obliged to show it some love. There are a few designs for garden gates floating about, I’ve seen a few in real life, I very much doubt they are Edwin Lutyens designed, despite the owners claims.

He didn’t do outrageous, challenging or I dare say thought provoking work, I’m not sure if that was ever the Edwardian way? He was a safe pair of hands, in a brave new world,  late nineteenth, early twentieth century was an exciting place for Great Britain, at that time everything was on the up and Britain was on top of the world. That is until WW1 (have you checked out our Warhorse article?), then the depression etc. but Lutyens soldiered on cutting his cloth to his starched suits. And he was prolific throughout. His success I believe was not  far sighted artistic vision or an ego as big as a giant,  gerkin (phallic, with nowhere to put your book shelf?). I think he genuinely wanted to embrace what we once had and still have, but make it better. Don’t throw out the baby with the bath water mentality…….. and that’s one that I live by!

Blacksmith, Hand forged, Design, Ironwork, Forge, Wrought Ironwork, Hot Forged, Blacksmithing, Sir Edwin Lutyens, Lutyens, Ironmongery, D handle, Door furniture.

Lutyens hinges, Folly Farm, Berkshire.

Being a local man (he was born in Thursley, Surrey, you know!), Lutyens worked a lot in Surrey, Hampshire and Berkshire and there’s a lot of residences that have his name on (and Gertrude Jeykll too). We have worked on and made Ironwork for many of them, either in our own name or for others. Folly Farm (Sulhamstead, Berks), Hascombe Court (Hascombe, Surrey), Goddards (Abinger, Surrey), Orchards (Bramley, Surrey), Sullingstead (Godalming, Surrey), Chinthurst Hill (Wonersh, Surrey) to name a few.

As a Blacksmith its great to reproduce Lutyens designs; they are honest and true, no tricks, just looking back to a time when things worked….. there was no space in the home, if they didn’t. I’m glad that Sir Edwin is getting some air time, because he was a great architect and designer, working hard for the client and giving the customer what they asked for, without burdening them with the nonsense that so often pools and boils about some of today’s Designer/Architectural types (some not all!)

There’s a smaller article on this site regarding Sir Edwin Lutyens Here’s the link! Enjoy.

Blacksmith, Hand forged, Design, Ironwork, Forge, Wrought Ironwork, Hot Forged, Blacksmithing, Sir Edwin Lutyens, Lutyens, Ironmongery, D handle, Door furniture.

Lutyens hinges and locking bar, BLF re-worked.

Not a gate?

Original Arts & Crafts, conserved and displayed.

When is a gate not a gate?

When its a piece of Art?

These lovely gates date from the late 19th Century (that’s Victorian if your British). We conserved these gates for a private client. Luckily for the gates the client is an Art professional, who realized their value culturally and financially. They we’re rescued from a salvage/reclamation yard a few years ago purchased with no provenance. The client wanted to use them as a feature somewhere in the house or gardens of her beautiful Edwin Luytens/Gertrude Jeykell designed Arts & Crafts House.

In consultation with Burrows Lea Forge Ltd. she was only to aware that the first rule of conservation had been broken; moving a piece from its original location. Nothing could be done about that now, but there was an opportunity to embrace another Conservation rule, namely if a piece is in danger in its location, it should be moved to a more suitable (preferably permanent) site.

Detail of Arts & Crafts gate.

These gates are very special, they are in an Arts & Crafts style, expertly balanced  and we suspect they were originally commissioned for a civic building, church or public office. There is an enormous level of detail, demanding top level forging skills. Interestingly and in the spirit of Arts & Crafts, the Artisan was only too aware of his excellent work and deliberately allowed ‘schoolboy’ errors in the setting the piece. As a craftsman I can easily identify what’s going on, the technical execution is so expert, it makes a joke of the deliberate errors, I suspect the Blacksmith responsible, might have hoped a Peer will see through his fakery, as I would in his situation. Well, I have!

Its amazing the time-shift a skill or craft can breach; you can get inside the head and empathize with someone long gone. Conservation and restoration does this, as you look closely, respecting the work of others, you can truely see inside their minds and feel what they must felt as they ‘turned’ a scroll or ‘pinched’ a collar or made a small mistake! Its a marvelous thing.
Back to the job! The client thought about the best use of the gates for quite a while and eventually with our guidance decided for us to install them in the covered arch way to the old coach-house of her property. The bare wall of the inner arch was crying out for some sort of ‘interest’. So we installed the gates on the wall. We were conscious to install them high enough to be aesthetically acceptable and safe from the prevailing weather. We used the original hinge mounts fixing them with stainless steel fixings into the Bargate stone wall. Mindful all the time of reversibility of of our actions.
So the gate went up, they looked great and as you can see there is  as much on show today, no less than there was 100 years ago, with any luck, 100 years from the view will be the same.


Luytens Handles and latches

Luytens handles and latches

Luytens handles and latches

These are Luytens reproduction handles we were asked to replicate by MD Joinery, Guildford. We make a lot of bespoke reproduction ironmongery. We specialise in Arts & Crafts styles in particular. Luytens, Henry Woodyer, Norman Shaw are some of the most common designers we are asked to copy.

Please excuse the cup I’ve used it an impromptu scale…. it is clean!